BOOK EBOOK An Audience of Artists –

An Audience of Artists


51 201. E or artists and critics seeking to come to terms with the radical departure rom tradition that Abstract Expressionism seemed to represent Tracing the activities of artists such as Robert Motherwell Barnett Newman and Jackson Pollock Marcel Duchamp’s renewed embrace of Dada in the late Craft composes a subtle exploration "Of The Challenges Artists "the challenges acing artists to work in the of a destructive world war and the paintings objects writings and installations that resulted rom their efforts. .
Bodily Harm
52 C88. W York "Art World On Its Head "world on its head a New Pedigree For These Artistic pedigree or these artistic Drawing on an array of previously unpublished material Catherine A Craft reveals that Neo Dada Private Arrangements (Forged of Steele, farrom being a reaction to Abstract Expressionism actually originated at the heart of that movement’s concerns about Viewers Originality And Artists’ Debts originality and artists’ debts the past and one another Further she argues the original Dada movement was not incompatible with Abstract Expressionism In act Dada provided a vital historical referenc. 75906. The term Neo Dada surfaced in New York in the late 1950s and was used surfaced in New York in the late 1950s and was used characterize young artists like Robert Rauschenberg and Jasper Johns whose art appeared at odds with the serious emotional and painterly interests of the then dominant movement Abstract Expressionism Neo Dada uickly became the word of choice in the early 1960s to DESIGNATE EXPERIMENTAL ART INCLUDING ASSEMBLAGE PERFORMANCE POP ART AND experimental art including assemblage performance Pop art and "Forms Of Minimal And Conceptual Art An Audience Of Artists "of minimal and conceptual art An Audience of Artists this time line Sanctuary for the postwar Ne.

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